05 Apr Working-Class Wiiild

Haight Ashbury. Fillmore West. Gold Rush.
We learned a valuable lesson; that the journey inside your mind leads one deeper …outside.
Outside the box. Why is the ability to color outside the lines so suggestively sacred?
My art school mentor Doug Deber, a father of, “Information Art,” drilled long and hard the notion of negative space.
Because our sub-conscious minds read volumes between the lines.

Stand-alone this style can be in-your-face, but crazy effective.
More often-than-not though, I find it useful as subtly, but thoughtfully targeted subliminal hints, window dressings.

This is your opportunity to, “talk story,” outside the box, between the lines, where folks can’t help but listen.
Treat your visual visitors to, Working-Class Wiiild. I add a taste to practically every image.

Contact Me Now for personalized instruction.  Tutorials in the works as well, per volume of community request.